Icons at Risk
Registration and Program IH Conference 15-18 May
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Iconic Houses Lecture Tour - The Weizmann House
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Our Badge of Honour
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Richard Hutten at the Sonneveld House
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Maurice Drue Parrish named Executive Director of Farnsworth House
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Frederick Noyes on his Father’s House
Fred Noyes is Principal of Frederick Noyes Architects in Boston. The son of the architect Eliot Noyes, he now owns the Noyes House II where he grew up. Fred is a speaker at the Iconic Houses Conference in May.
What was it like spending your childhood in the Noyes House?
Wherever one grows up, home is just home. No different for me. Looking back, I realize how much time I spent outside - in the woods, at the brook, and so on. Was that because I simply liked nature, or because the house is all about incorporating the outside and inside and celebrating mood changes with the seasonal changes? Probably some of each.
Each time I return to the house today it still takes my breath away. For all its strength, it’s so calming and sublime.
What’s your favorite feature in the house?
The glory of the house is its simplicity of the organization—a public and a private ‘block’, unconnected but held together by two massive stone walls. One doesn’t have to know this underlying organization - but one feels it.
What’s the most important thing you learned from your father?
My father had a rare combination of discipline, integrity and sensitivity. He emphasized that a design must have ‘a big idea’ powerful enough to allow development of secondary ideas without diminishing the overall. The big idea then needs to be readable in the design and its development. This may sound simple, but it’s not.
You first studied biology before architecture.
In the Noyes household, design was a way of life, applicable to anything and everything. That becomes part of your persona, like it or not. Switching, then, between biology and architecture was not that difficult as this definition of ‘design’ applies to both.
What’s the biggest challenge facing your house?
Ideally, it should be open to the public as an embodiment of my father’s legacy and to encourage further development of his insights. How do we best do that?
Do you have tips, advice or warnings for other house owners?
There’s a fine line between wonderful houses and houses appropriate for house-museums. The latter is a difficult path as it implies considerable effort in fundraising, maintenance and organizational management.
Houses of great quality but falling below the house-museum threshold face different problems - specifically that future owners may be insensitive to the design. Stewardship programs, such as those offered by the National Trust for Historic Preservation, Historic New England or the Connecticut Trust, offer good mechanisms to allow houses to remain in private ownership while assuring that they will not be subject to unseemly renovations.
Aside from your own house, do you have a favorite iconic house?
Expanding the definition beyond the Modern era, some of my favorites include classic New England barns, Japanese courtyard houses, Bedouin tents, English farmhouses, tree houses, and igloos - because each one represents a hard-boiled approach in addressing the need for which it served.
Frederick recommends watching the video The Noyes Collection of Alexander Calder in which Eliot Noyes is celebrated through his patronage of Alexander Calder and Fred Noyes is interviewed at the Noyes House surrounded by Calder’s works.
Publication date 2 March 2018