Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Icons at Risk
Our Badge of Honour
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Iconic Houses Lecture Tour - The Weizmann House
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Richard Hutten at the Sonneveld House
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Andreas Vaa Bermann, Norsk Form
Andreas Vaa Bermann is the Director of Norsk Form – the Foundation for Design and Architecture in Norway, which manages Villa Stenersen, one of the most significant works of Norwegian modernism. Through various projects and activities, including lectures, debates and exhibitions at its main venue, DogA (the Norwegian Centre for Design and Architecture) in Oslo, the foundation promotes design and architecture as crucial contributors to improving the quality of people’s everyday lives.
See more images of Villa Stenersen in our Specials section.
We put our five questions to Andreas.
First a little background, please. Who are you?
I’m an architect and urbanist who, after a decade of professional work as an architect and urban planner, moved on to more organisational, promotional and political work. I have a keen interest in communicating design and architecture and promoting their huge potential to contribute to a better world and the need for higher quality in our surroundings.
Describe your relationship with significant houses
Significant houses prove that no one is indifferent to their physical surroundings. They show us that, with ambition and demands for the extraordinary, innovation can happen and we can broaden people’s understanding of architectural quality. Significant houses have inspired me before my training as an architect, during my education when I was adding to my knowledge - and ever since. Today, they show me that the search for quality and uniqueness lends inspiration to life, and that the only way to achieve the best is through details and dedicated involvement.
Which is your favourite house?
There are so many. Of the single-family iconic houses that I have visited, Maison de Verre in Paris, is at the top of my list.
What’s the biggest challenge for you and your organization right now?
At the moment, on our own initiative, the administration of Villa Stenersen is undergoing evaluation by the Norwegian Ministry of culture. The house is owned by the Norwegian state, and has been managed by us for the last decade. We have recommended that it should remain open for visits by the public, under the management of the National Museum for Art, Design and Architecture. We hope for a combined use as a space for researchers, temporary exhibitions and other activities alongside its function as a house museum showcasing Norwegian modernism at its best.
What’s next for you?
We hope to conclude the Villa Stenersen evaluation before the autumn. The reason why Norsk Form should not run the house is because it is more of a museum activity. Our main task is to debate design and architecture’s contribution to contemporary society. So this is one of many steps we are taking to strengthen our foundation’s work and core activities and serve the public the best we can.
Which 21st century home is an iconic house of the future?
That’s really too early for me to say. The same goes for this century, which is still too young to be judged. I don’t think we have seen its best examples yet.