Inside Iconic Houses - Online Tour Program
Welcome Umbrella House!
Iconic Houses in the Netherlands – Berlage’s Masterpiece
Welcome Atelier Volten!
SPECIAL – Iconic Dreams - Sleep in an Iconic House!
SPECIAL - Vacances en France!
SPECIAL - Casas Icónicas en España!
SPECIAL – German Greats!
SPECIAL – Dutch Delights!
SPECIAL – Northern (High)Lights!
Iconic Houses in The Netherlands - Het Schip
Inside Iconic Houses - Tour of Maison Cazenave
Inside Iconic Houses Tours Vizcaya Museum & Gardens in Miami
Casa Masó Celebrates 10 Year Anniversary
Inside Iconic Houses tours Roland Reisley's Usonian Frank Lloyd Wright House
Rietveld’s Experimental Housing in Reeuwijk Saved
Serralves Villa after restoration
Watch Pioneers of the Dutch Modern House Now On Demand
Portraits of the Architect - Interview with Gennaro Postiglione
Test Labs for New Ideas - Interview with Natascha Drabbe
Inside Iconic Houses - Isokon Building
Inside Iconic Houses - 16 December: Sunnylands with Janice Lyle
BCN-BXL Coderch-De Koninck - Beyond Time
New Chairman Architect Nanne de Ru on The Perfect Platform
Health and Home - Interview with Beatriz Colomina
A Life Less Ordinary – Interview with Valentijn Carbo
Invisible Women - Interview with Alice T. Friedman
Winy Maas on the Green Dip
Anita Blom on Experimental Housing of the 1970s
Women’s Worlds - Interview with Natalie Dubois
The Culture of Living - Interview with Robert von der Nahmer
Hetty Berens: A Fresh Take on Modernism
Niek Smit on Supporting Modern Heritage
Alice Roegholt on Amsterdam’s Working-Class Palaces
July is Iconic Houses Month
Save Maison Zilveli - Sign the Petition!
How a Building Tells a Story - Recorded Event
Toolkit for Owners of a Modern House
13 Aalto Sites Nominated for UNESCO World Heritage
Villa Beer At Risk - Sign the Petition!
Business Cards of Stone, Timber and Concrete in the Brussels Region 1830-1970
Exhibiting & Visiting Modernist Monuments
Fostering Well-Researched Responsible Design
ICONS AT RISK
Enjoy a virtual visit to the California House and a Q&A with architect Peter Gluck
Exhibition 'Modernism and Refuge'
A Hidden Gem of Postmodernism
New Centre for Historic Houses of India
An Online Chronicle of the Douglas House
Villa Henny, geometric style icon in The Netherlands
A Mendini temple in Amsterdam
IH-lectures USA & Canada Feb 2020 on Melnikov House
An Afternoon with the Glucks
Danish Moderns – Looking Back at Our Mini-Seminar
Venturo house complements Exhibition Centre WeeGee’s offering
Lecture report: Remembering Richard Neutra
Hôtel Mezzara and the Guimard Museum project
We welcome 13 new members!
BREAKING NEWS: 8 Wright Sites Inscribed on Unesco World Heritage List!
LECTURE 29 August - Raymond Neutra: My Father and Frank Lloyd Wright
SPECIAL – Iconic Artist Residencies
Our Badge of Honour
SPECIAL – Women & Iconic Houses
SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Speaking Volumes: Building the Iconic Houses Library
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
At Home in the 20th Century
New 20th century Iconic Houses website launches
Portraits of the Architect - Interview with Gennaro Postiglione
|Gennaro Postiglione with the Korsmo House in Oslo (1955) in the background. Photo: Finn Arne Johannessen.|
Gennaro Postiglione is Professor of Interior Architecture at Politecnico di Milano and author of The Architect's Home (Taschen) – a topic he revisits as a keynote speaker at the online conference Pioneers of the Dutch Modern House. He researches the culture of domestic interiors, while his research-by-design activity addresses the adaptive reuse of minor or neglected heritage buildings and alternative housing concepts for today’s variety of households. He understands research and teaching as an integral part of design practice.
What ground will your lecture cover?
I will look at the architect’s house as an interesting form of 3D self-reflection which is otherwise rare in the architect’s oeuvre. In all houses built by architects for themselves, you see a mix of character and ideas – which may or may not be in harmony with each other.
What form does this 3D self-reflection take?
I would say there are four types of architect’s house: the manifesto, which mainly expresses ideas (like Domenig’s); the lifestyle house, which explores a way of living (as the majority do); the experimental house, which is essentially trying out new ideas (like Albini’s); and what I call the nest or habitus, in which the architect – and their family – is embedded in the house and it embodies them, almost like clothing that they wear (like Perriand’s). These four are not mutually exclusive, by the way.
Your book on architect’s houses as self-portraits is almost 20 years old, yet it’s still a bestseller. How do you explain its appeal?
It’s a book you can enjoy on different levels – it has beautiful photography, detailed drawings and texts written by local experts. The selection of architects is interesting and rich, covering both famous names like Le Corbusier and Alvar Aalto and far less well-known figures like Mogen Lassen from Denmark and Umberto Riva from Italy. Compiling the book as a curatorial team of five, and consulting with 30 different institutions across Europe, led to an eclectic and unexpected selection. I am told by several architects that they use the book when initially meeting with new clients for houses, to show them what’s possible and find out their preferences, so it’s a useful source book and also a great coffee table book.
Do you think that the architect’s house remains as important as it was last century?
I think the architect’s house is timeless – you can go from Michelangelo, 500 years ago, up to Rem Koolhaas today.
What are you currently working on?
Housing – I am trying to address the gap between what the market has to offer, which is still based on the idea of the monolithic nuclear family, and today’s new household, which is far more varied and fluid. As part of this research, I have redesigned my own department, combining separate living units of one or two rooms with shared spaces – a home for individuals, rather than a family. It goes without saying that I learned a lot from other architect’s houses in creating my own.
What’s your favourite architect’s house?
I love Arno Korsmo’s house in Oslo, where he lived with his wife. The house was built for their specific needs – for example his wife’s enamel workshop – but it was also extremely adaptable. The living room could also function as a theatre and meeting place; Korsmo’s office was also the main bedroom, thanks to the use of revolving beds. And all this flexibility was achieved with a wonderful sense of proportion, geometry and transparency. It’s a beautiful house.
How do you think our domestic spaces should change in the light of the pandemic, and the lockdown which confined us all to our homes?
I think that Covid-19 has emphasized a crisis that was already there – namely, the fact that the Modern idea of the home is at the end of its usefulness. In Modernism, housing was always functional: each room has one specific use and cannot easily be used for anything else. I believe we should rethink the legacy of earlier architecture. In 19th-century buildings, the layout was generic: rooms could be used for anything, yet spatially they had a strong character. We should design houses today with less stress on function, and more on the character of space – and leave the inhabitants to work out how to use them.
Curious about the Iconic Houses Online Modules?
Watch the recording of this module through our WEBSHOP.
Check out the full program of lectures and five-part series of thematic videos about the Pioneers of the Dutch Modern House HERE.
Posted 22 July 2021