NEW! ICONS AT RISK
SPECIAL - Vacances en France!
SPECIAL – Iconic Holidays!
SPECIAL – Hello Germany!
SPECIAL – Hello Netherlands!
Villa Henny, geometric style icon in The Netherlands
A Mendini temple in Amsterdam
6th Iconic Houses Conference June 2021
IH-lectures USA & Canada Feb 2020 on Melnikov House
An Afternoon with the Glucks
Danish Moderns – Looking Back at Our Mini-Seminar
Venturo house complements Exhibition Centre WeeGee’s offering
Lecture report: Remembering Richard Neutra
Hôtel Mezzara and the Guimard Museum project
We welcome 13 new members!
BREAKING NEWS: 8 Wright Sites Inscribed on Unesco World Heritage List!
LECTURE 29 August - Raymond Neutra: My Father and Frank Lloyd Wright
SPECIAL – Iconic Artist Residencies
Our Badge of Honour
SPECIAL – Women & Iconic Houses
SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Speaking Volumes: Building the Iconic Houses Library
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
At Home in the 20th Century
New 20th century Iconic Houses website launches
Niek Smit on Supporting Modern Heritage
Niek Smit is an architectural historian at the Vereniging Hendrick de Keyser, the Dutch historic houses association. At the conference, he presents a range of strategies to find sustainable long-term uses for the association’s newly acquired 20th-century properties.
Hendrick de Keyser is a classic heritage organization. So why the move into more recent heritage?
Our board holds the view that there is no fundamental difference between rescuing and managing a vulnerable Modernist bungalow or a precious 18th-century canal house. We do however face one constraint: our ability to judge quality. We believe architectural quality needs some time to surface so we are reluctant to acquire contemporary buildings.
What would be a sustainable model for young heritage houses?
Each house is different and requires an individual, tailor-made approach. Traditionally, we would rent out our properties for people to live in, as offices or as museums or for dinners and events. Nowadays, we also have holiday cottages and museum houses which are open to the public.
What issues do you face with young heritage houses?
Sometimes the building techniques and materials used were experimental and have not weathered well. For example, we are currently restoring an experimental house in polyester and steel from the 1970s.
What criteria do you have for Modern heritage?
The architectural quality and historical importance of the property and its interior; the urgency of repairs and the need to rescue a property; and the long-term financial sustainability of the purchase. The criteria are exactly the same for old houses and Modern heritage.
What is the potential of young heritage in the Netherlands?
It’s vast. On the negative side, architecture from the 1950s up to the 80s is highly vulnerable. It is often worn, slightly ‘out of date’ for most people, repairs are needed and quality is not easily recognized. Heritage protection is very limited. On the positive side, there is a growing interest in young heritage, which started with ‘vintage’ furniture.
What can a classic heritage organization bring to young heritage?
Tested, practical strategies to rescue, restore and manage historic properties. By opening up our young heritage properties to the public, we can create awareness.
What issues are you looking forward to discussing at the conference?
I’m interested to see how other organizations and individuals approach the issues of young heritage. We can’t make every architecturally interesting house a museum. Which other strategies work?
Do you have a favourite young heritage house?
The Jan de Jong House in Schaijk (1967-1982), which was acquired by our organization in 2016. You cannot but be impressed by the spatial quality of the design.
What are the most urgent issues that Modern houses currently face?
To create awareness of the quality and vulnerability of architecture, especially houses and interiors, from the 1950s to 1980s. The Iconic Houses network can play a major role in this.
Curious about the lecture and tour program?
Check it out or register here >> www.aanmelder.nl/ihc2021
Posted 11 December 2019