SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Our Badge of Honour
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Iveta Černá, Villa Tugendhat
Iveta Černá is Director of Villa Tugendhat, which has been under the administration of the Museum of the City of Brno since 2002.
Villa Tugendhat is Europe’s most important and most authentic building by Ludwig Mies van der Rohe. In 2001, the building was added to the Unesco World Heritage List. Černá is also member of the Organizing Committee of the Iconic Houses Network and speaker at the symposium at the Iconic Houses Europe Symposium at the Victoria & Albert Museum 12 November 2013.
Tell us a bit about yourself
I’m an architectural historian. I studied architecture at the Brno University of Technology and art history at Masaryk University in Brno. My interests include the preservation of 20th-century architecture, with a particular focus on technical questions. I am one of the founding members of Docomomo in the Czech Republic and a member of the International Specialist Committee on Technology of Docomomo International, Icomos, DEMHIST and Icom. I regularly publish articles and books and give lectures at international conferences. I’ve also taught at the Faculty of Architecture and the Faculty of Arts in Brno.
What makes an iconic house, as far as you’re concerned?
I’ve been focusing on modern houses ever since my studies. My fascination is for space and its arrangement, together with innovative technologies. When an architect perfectly combines the interior and exterior parts of a house, which spill over into each other, as is the case with Villa Tugendhat, the result is a work of art as well as architecture. I like the unity of form and content - houses whose facades already indicate their internal disposition and function. Finally, I really appreciate ‘smart’ houses, those that are perfectly thought out from their cardinal points orientation to their door handles. Houses that perfectly complement and respect the environment in which they stand are a real treat.
What’s your favourite house?
I should, and will, answer Villa Tugendhat, because that house is literally my second child. However, I have a number of favourites. I admire the human scale and organic materials of Nordic architecture, the experimental expressionism of Bauhaus architecture, and the subtle airiness of Brazilian structures. I like ‘model colonies’ demonstrating the work of important architects in one place, but also solitary homes that exude a meditative atmosphere. I am currently dazzled by mid-century architecture in the Americas, built mainly by European architects forced to emigrate during World War II.
What’s your biggest challenge right now?
Last year’s London exhibition and conference on Villa Tugendhat had the theme, ‘many lives in Villa Tugendhat’. It reflected the fact that the original owners, Greta and Fritz Tugendhat, lived in the house for only eight years before they were forced to flee from Hitler. The war and then the post-war years, which saw the advent of the communist regime, brought with them many new functional uses, from a dance school to a rehabilitation centre for children to a government villa. The house was opened to the public only in 1994. Between 2010 and 2012 it was restored for the first time in its existence, using rigorous building and restoration procedures, and then reopened to the public. So the last three years have been crucial. It has not been an easy task to reconcile the authenticity of the house with a scientific building rehabilitation and the creation of attractive routes for visitors and a study and documentation centre. The fact that our efforts are highly appreciated by domestic and foreign experts is a hugely satisfying.
The house serves as a monument of modern architecture, and it has a rich story. We want to prioritise the wishes of visitors who would like a glimpse of the time when the Tugendhat family lived here. They will see not only luxurious materials like the onyx wall, exotic veneers from Asia, retractable large windows and the iconic chairs Brno, Barcelona, Tugendhat or Stuttgart, but also the sophisticated air-conditioning system, the boiler room and a fur-coat safe. The house also offers concerts of classical music, screenings of historical films, lecture series with leading experts, workshops and conferences. The interest in all activities is extraordinary, exceeding our spatial possibilities.
‘Solidarity’ with other iconic buildings offers countless other possibilities. Not only the exchange of experience, but especially common projects that will emphasise the uniqueness of these solitaires in a map of architectural gems.
Which 21st century house is an Iconic House of the future?
Personally, I am attracted to architectural designs by Zaha Hadid, Santiago Calatrava, Alvaro Siza, Renzo Piano, Herzog and De Meuron as well as Jan Kaplický. They are icons even at the moment of their creation. Just like Villa Tugendhat...
House in Wales by Jan Kaplický of Future Systems (1996)
Read more about Villa Tugendhat in our Specials section.