6th Iconic Houses Conference June 2020
Hans van Heeswijk - on the Pioneers of the Dutch Modern House
Wessel de Jonge on Dutch Icons at Risk
Melnikov House: Saving an Avant-Garde Icon
Anita Blom on Experimental Housing of the 1970s
Danish Moderns – Looking Back at Our Mini-Seminar
Venturo house complements Exhibition Centre WeeGee’s offering
Lecture report: Remembering Richard Neutra
Hôtel Mezzara and the Guimard Museum project
We welcome 13 new members!
BREAKING NEWS: 8 Wright Sites Inscribed on Unesco World Heritage List!
LECTURE 29 August - Raymond Neutra: My Father and Frank Lloyd Wright
SPECIAL – Hello Netherlands!
SPECIAL – Iconic Artist Residencies
Our Badge of Honour
SPECIAL – Hello Germany!
SPECIAL – Women & Iconic Houses
SPECIAL – Iconic Holidays!
SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Speaking Volumes: Building the Iconic Houses Library
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
At Home in the 20th Century
New 20th century Iconic Houses website launches
Roland Reisley on Life in a Frank Lloyd Wright House
June 1952. Frank Lloyd Wright at the house with Roland and Ronny Reisley. Photo by Pedro Guerrero.
At the age of 26, Roland Reisley found himself – completely unexpectedly – the client of Frank Lloyd Wright when, having bought a plot with his wife in the newly formed Usonian community of North Westchester, the famous architect offered to design their house. Over 64 years later, he still lives there and still has no plans to move. Our conference program 2018 included a visit to his house.
How was it being the client of Frank Lloyd Wright?
It wasn’t easy – in that it was like talking to God! We would never have dreamed of approaching him, but he was supervising Usonia and it turned out that he was interested in designing our house. Now everyone ‘knows’ how arrogant and difficult he was, and this has unfortunately obscured awareness of his life and work, but with us he couldn’t have been nicer. He said to us, “I’ll redesign as often as I need to but you have to speak up about what you want.” He was pleasant and friendly.
What advice would you give others having their house built?
When you choose an architect, you describe your needs and the architect will interpret them. You don’t have to question their architectural decisions – I think that’s where the bad stories about Wright come from.
How has the house changed over the years?
Very little! Initially it was very modest in size as we were newlyweds. Later we asked Wright to expand it as we had a growing family, and he did. We have not changed it since. It has needed very little maintenance.
What do you particularly enjoy about the house?
Recently I had an epiphany and I realized that thanks to this house I’ve seen something beautiful every day of my life. The way the light falls across the interior, the way the wood is joined – I notice some beautiful detail every day. Neuroscientists tell us that living with a sense of beauty reduces stress and increases our longevity. At 94, I’m in great shape and maybe it’s because of my beautiful house.
Ever feel like moving?
Never. Over the years, life has changed but somehow this house has worked well for me for an entire lifetime. It works well, and I’ve always appreciated that.
Roland Reisley in his house. Source: Wall Street Journal online
How are you safeguarding the future of the house?
Currently I’m in the process of setting up a protection easement under the Frank Lloyd Wright conservancy – which I also helped to set up some years back – so that it will be protected from unsympathetic changes. I hope the house can stay in the family and that one of my grandchildren can live here.
What impact has living in a Frank Lloyd Wright house had on your life?
I’ve become interested and involved in architecture in ways I’d never imagined – I was a physicist who later worked in the electronic instruments business. Living here, I became interested in Wright’s work and helped found the Frank Lloyd Wright Building Conservancy. I also wrote a book about the Usonia community. I’ve met many friends through the house.
How has the community changed?
It was like an extended family for the first 40 years. Now, I’m almost the last of the first generation. The community still functions though, we still have shared interests and values, although huge changes in society such as digitization have taken their toll.
How would you characterize Wright’s contribution?
He profoundly understood the connection between people and the built environment. His buildings tried hard to make that clear. It’s perhaps not very appreciated, and I wish there was more understanding of it so as to improve the general quality of life.
Roland Reisley recommends watching this teaser of a documentary that is now in production, USONIA - Frank Lloyd Wright's Suburban Utopia, that tells the story of Wright and the group of pioneering young idealists who toiled together to build their dream in Pleasantville, New York.
Publication date 2 March 2018