Inside Iconic Houses Tours are back! Isokon Building 18 November
Inside Iconic Houses - Live Online Tour Program
Pioneers of the Dutch Modern House
Portraits of the Architect - Interview with Gennaro Postiglione
Test Labs for New Ideas - Interview with Natascha Drabbe
New Chairman Architect Nanne de Ru on The Perfect Platform
Health and Home - Interview with Beatriz Colomina
A Life Less Ordinary – Interview with Valentijn Carbo
Invisible Women - Interview with Alice T. Friedman
Winy Maas on the Green Dip
Anita Blom on Experimental Housing of the 1970s
Women’s Worlds - Interview with Natalie Dubois
The Culture of Living - Interview with Robert von der Nahmer
Hetty Berens: A Fresh Take on Modernism
Niek Smit on Supporting Modern Heritage
Alice Roegholt on Amsterdam’s Working-Class Palaces
July is Iconic Houses Month
Save Maison Zilveli - Sign the Petition!
How a Building Tells a Story - Recorded Event
Toolkit for Owners of a Modern House
13 Aalto Sites Nominated for UNESCO World Heritage
Villa Beer At Risk - Sign the Petition!
Business Cards of Stone, Timber and Concrete in the Brussels Region 1830-1970
Exhibiting & Visiting Modernist Monuments
Fostering Well-Researched Responsible Design
ICONS AT RISK
Enjoy a virtual visit to the California House and a Q&A with architect Peter Gluck
Exhibition 'Modernism and Refuge'
A Hidden Gem of Postmodernism
New Centre for Historic Houses of India
An Online Chronicle of the Douglas House
SPECIAL – Northern (High)Lights!
SPECIAL - Casas Icónicas en España!
SPECIAL - Vacances en France!
SPECIAL – Iconic Dreams - Sleep in an Iconic House!
SPECIAL – Dutch Delights!
SPECIAL – German Greats!
Villa Henny, geometric style icon in The Netherlands
A Mendini temple in Amsterdam
IH-lectures USA & Canada Feb 2020 on Melnikov House
An Afternoon with the Glucks
Danish Moderns – Looking Back at Our Mini-Seminar
Venturo house complements Exhibition Centre WeeGee’s offering
Lecture report: Remembering Richard Neutra
Hôtel Mezzara and the Guimard Museum project
We welcome 13 new members!
BREAKING NEWS: 8 Wright Sites Inscribed on Unesco World Heritage List!
LECTURE 29 August - Raymond Neutra: My Father and Frank Lloyd Wright
SPECIAL – Iconic Artist Residencies
Our Badge of Honour
SPECIAL – Women & Iconic Houses
SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Speaking Volumes: Building the Iconic Houses Library
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
At Home in the 20th Century
New 20th century Iconic Houses website launches
Fiona Fisher on Iconic Interiors
Fiona Fisher is curator of Kingston University’s Dorich House Museum and a researcher in design history, supporting the Modern Interiors Research Centre. She has also worked on Iconic Houses’ Icons at Risk initiative. we ask her about the preservation of iconic interiors.
Interiors tend to be more at risk than buildings themselves. What are you tips for saving them?
Being open to a wide range of approaches and possible outcomes can be helpful. Saving interiors can take many different forms. Advocacy initiatives, such as Icons at Risk, can help raise awareness and generate support for conservation. Universities can play an important role through research and publication. Museums have a long history of collecting and exhibiting historic interiors. The V&A’s acquisition of part of Alison and Peter Smithson’s Robin Hood Gardens is one recent example of action in the face of demolition. And digital technologies offer new possibilities for documenting, re-creating and experiencing historic interiors as well as strategies for their conservation.
You worked on the Iconic Houses Icons at Risk and Toolkit projects. What do you hope to achieve with it?
The toolkit aims to provide owners of modern homes with a trusted source of online resources and information to help them make informed decisions about the restoration and maintenance of their homes. The materials have all been peer-reviewed by international heritage and conservation experts. Icons at Risk is a new initiative to identify architecturally significant modern houses at risk and help raise awareness to support their conservation. We hope homeowners and the public will get involved by using the Icons at Risk Alert from to submit information and updates via the Iconic Houses website.
What are your tips for using the toolkit?
My tip would be to dip in, explore the resources and find what’s most useful to you. The toolkit is arranged in themed sections with information to help address big questions, such as how to research and understand the history and cultural significance of a house, alongside practical guides to materials and maintenance. It can be worked through to support the planning of major projects or used as a handy reference guide to specific topics.
What advice would you share from your experience as curator of Dorich House?
Involve young people. We are lucky to be a university museum. Our students bring new perspectives and huge energy to the museum. They constantly surprise us with their projects and push us to think about the museum’s history and relevance in new ways. They’re currently helping us research the history of the house in the 1990s - when it was occupied by squatters and used as a film-set - and explore how to value and represent these alternative histories of occupation and use.
Any examples of interior preservation success stories?
I recently enjoyed a return visit to Kettle’s Yard in Cambridge, the home of Jim and Helen Ede. The house re-opened in 2018 after a major capital project by Jamie Fobert Architects. The special atmosphere of the house remains unchanged and the attention to detail in the curation of the interiors is impressive.
As an interiors specialist, do you feel that interiors are getting more recognition these days?
I do. Design education can play an important role. Over the last 15 years, the Modern Interiors Research Centre at Kingston University has helped to develop the history of the modern interior as a specialist area of research that continues to grow internationally. In terms of the status of interiors, books such Graeme Brooker’s Key Interiors Since 1900 and exhibitions such as Vitra Design Museum’s exhibition, Home Stories: 100 Years, 20 Visionary Interiors, are helping to increase knowledge and awareness of culturally significant interiors of the 20thcentury.
What would you like visitors to notice and enjoy particularly on a visit to Dorich House?
The quality of the light and space and its unique atmosphere. The house was designed by an artist, Dora Gordine (1895-1991), and there is something especially revealing about viewing her work in the setting in which she lived and worked for 55 years. I hope visitors enjoy the way in which their experience of the interior changes as they move through the building from her studios and gallery to the apartment and roof terrace above. I’m always pleased to find someone making themselves at home, whether sitting in a quiet corner reading or enjoying a picnic in the garden.
Do you have a favourite young heritage house or interior (1965 or younger), and why?
In the interests of neighbourly relations, the Picker House in Kingston is a fantastic example of a British late 1960s luxury house and interior that is largely unchanged since its completion in 1968. The house was designed for Stanley Picker, an American businessman and art collector, by the British architect Kenneth Wood. The interiors, completed in collaboration with leading designer Terence Conran’s two companies, include outstanding examples of Modern European and American furniture.
What issues are you looking forward to discussing at the Iconic Houses Online Event 2021?
I look forward to learning more about energy-efficiency in the expert sessions and discussing any practical steps we can take to improve it. I know there’s more we can do. And outside of the formal sessions catching up with colleagues to share news. I always return from the conference with plenty of new ideas to implement.
What are the most urgent issues that iconic houses currently face?
Lack of heritage protection remains a significant challenge in the face of rapid development in many parts of the world.
What are the most hopeful circumstances for heritage homes currently?
Greater public awareness and appreciation of modern design is helping to generate support for buildings of more recent construction. The growing interest in Brutalism and High Tech is encouraging.
|The Picker House entrance court c.1968. Credit: Kenneth Wood Archive.|
|View from the Picker House living area to the entrance gallery c.1968. Photographed by Colin Westwood. Courtesy of The Stanley Picker Trust.|
Updated 22 March 2021