NEW! ICONS AT RISK
SPECIAL – Iconic Holidays!
SPECIAL – Hello Germany!
SPECIAL – Hello Netherlands!
Villa Henny, geometric style icon in The Netherlands
A Mendini temple in Amsterdam
6th Iconic Houses Conference June 2021
IH-lectures USA & Canada Feb 2020 on Melnikov House
An Afternoon with the Glucks
Danish Moderns – Looking Back at Our Mini-Seminar
Venturo house complements Exhibition Centre WeeGee’s offering
Lecture report: Remembering Richard Neutra
Hôtel Mezzara and the Guimard Museum project
We welcome 13 new members!
BREAKING NEWS: 8 Wright Sites Inscribed on Unesco World Heritage List!
LECTURE 29 August - Raymond Neutra: My Father and Frank Lloyd Wright
SPECIAL – Iconic Artist Residencies
Our Badge of Honour
SPECIAL – Women & Iconic Houses
SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Speaking Volumes: Building the Iconic Houses Library
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
At Home in the 20th Century
New 20th century Iconic Houses website launches
SPECIAL – Hello Germany!
Welcome to the first in our new series of country specials – designed to help you make the most of a week(end) away. We start the ball rolling in Germany, where we welcome our new member: Haus am Horn, the only building designed and constructed by the Bauhaus in Weimar.
We’ve arranged the houses chronologically, from youngest to oldest. It’s striking to see Belgian architect Henry van de Velde so active in Germany at the start of the century, with three houses to his name. All the usual Iconic Houses categories are represented: Taut’s Home in Hufeisensiedlung is a Unesco World Heritage monument where you can spend the night. Germany’s hidden gem is Haus Schminke in Löbau, where you can also stay. Haus Auerbach in Jena is a private house that’s open for visits, while in Berlin Georg Kolbe’s house is a great example of the artist’s home and studio.
Note: Plan your visits well in advance as house museums and especially private houses can have irregular visiting times.
Haus Ungers, Cologne (1950, 1989)
House Ungers, was built by O.M. Ungers for his family with a studio for his architectural office and two rental apartments. The house gives testimony to Ungers’ architecture of the 60’s, giving him his first international acclaim. In 1989, a monolithic cube of basalt lava was built into the garden to house the extensive library of rare architectural books. This building complex has has grown through decades into a unique ensemble.
Haus Schminke, Löbau (1933)
Architecture should be an experience. This is why Hans Scharoun's Haus Schminke offers to spend a night, exclusively, in the Schminke House. And of course you can use all the built-in furniture, including the Frankfurt kitchen, which in large part remains in its original form. There is a total of seven beds. On request extra beds can accommodate up to twelve guests.
Haus Lange Haus Esters, Krefeld (1930)
Ludwig Mies van der Rohe was commissioned in 1927 by Hermann Lange and Josef Esters to design the villa ensemble known as Haus Lange Haus Esters. They were to be home not only for the families of the clients but also, in the case of Hermann Lange, for his comprehensive collection of contemporary art. The design assignment included the concept for all utility areas kitchen, darkroom, bathrooms, as well as, in the case of Haus Esters, the layout of the garden.
Taut's Home, Berlin (1930)
Travel back in time to Berlin's stylish 1930s accommodation at the UNESCO-World heritage site at the Horseshoe Estate. Suitable for up to four guests, Taut’s Home is a cultural treasure with the character of a museum and a real-life experience of design history. This is probably the closest you can get to the spirit of emergent Modernism and the Golden Twenties in Berlin.
Georg Kolbe Museum, Berlin (1929)
Georg Kolbe was the most successful German sculptor in the first half of the 20th century. The studio house ensemble that Kolbe had built for himself at the height of his success in 1928/29 represents a significant example of Berlin architecture of the 1920s. The brick structures with ceiling-high windows are a clear affirmation of architectural modernism. Kolbe had artistic collaborations with architects like Mies van der Rohe, Gropius, Taut, Poelzig, Van de Velde and Mendelsohn.
Weissenhofmuseum im Haus Le Corbusier, Stuttgart (1927)
The semi-detached house of Le Corbusier was built as part of the Weissenhofsiedlung, a building exhibition in Stuttgart. Under the direction of Mies van der Rohe, seventeen international architects belonging to the Avant-Garde presented new solutions for living, among them Gropius, Oud and Scharoun. It was a milestone of modern architecture. One half of the house shows the history of the estate with all its changes. The other half presents the restored floor plan, colouring and equipment as it was in 1927.
Haus Auerbach, Jena (1924)
The residence was designed for the Jewish couple Felix and Anna Auerbach. Built in 1924, Haus Auerbach is one of the few private homes that Walter Gropius ever constructed. For the first time Gropius realized his famous ‘Baukastenprinzip’. It is one of the most important examples of the interbellum era of 'Neues Bauen' in Europe and the only Gropius building with the original colored interior, based on the ideas of Alfred Arndt, a member of the Bauhaus. The house was restored in 1994/95 by the present owners.
Haus am Horn, Weimar (1923)
The Haus Am Horn is the only building designed and constructed by the Bauhaus in Weimar. This model house was built for the 1923 Bauhaus exhibition. It provided an opportunity for the Bauhaus masters and students to present their visions of modern living for the first time. In 1996, the building was inscribed as part of the Unesco World Heritage Site now called the Bauhaus and its Sites in Weimar, Dessau and Bernau.
Hohenhof, Hagen (1908)
In 1906, Karl Ernst Osthaus (1874-1921) commissioned Henry van de Velde (1863–1957) to design his family home in Hagen as a ‘Gesamtkunstwerk’. Traditional constructing material characterize the house; blue-black stone blends with black basalt lava and bluish slate, combined with white and greenish blue for the doors and windows. Van de Velde created the interior design as a unified whole. In addition to the original interior design, furniture and craftwork by Henry van de Velde is on display.
Haus Hohe Pappeln, Weimar (1907)
The Haus Hohe Pappeln was the home of the Belgian architect and designer Henry van de Velde who came to Weimar in 1902 as the artistic advisor for the Thuringian arts and crafts trade. He lived there with his family until 1917. In addition to the house itself he designed all the furniture, fixtures and the garden. The tour of Haus Hohe Pappeln takes you through the garden and the family’s living quarters on the bel étage with its salon, dining room, study and living hall.
Villa Esche, Chemnitz (1903)
Villa Esche in Chemnitz was designed by Belgian designer Henry van de Velde for the family of Herbert Esche, a successful stocking manufacturer. The Esche family lived here until 1945. After that, the house had a number of reincarnations including as a military command post, a residential building and the headquarters for the local Chamber of Craftsmen. From 1998 to 2001, the mansion was treated to a meticulous and extensive renovation based on its historical design and has been popular as home to a museum dedicated to van de Velde.
Posted 17 June 2020