NEW SECTION: Toolkit for Owners of a Modern House
November is Iconic Houses Month
ICONS AT RISK
New Centre for Historic Houses of India
Exhibition 'Modernism and Refuge'
An Online Chronicle of the Douglas House
SPECIAL – Northern (High)Lights!
SPECIAL - Casas Icónicas en España!
SPECIAL - Vacances en France!
SPECIAL – Iconic Dreams - Sleep in an Iconic House!
SPECIAL – Dutch Delights!
SPECIAL – German Greats!
Villa Henny, geometric style icon in The Netherlands
A Mendini temple in Amsterdam
6th Iconic Houses Conference June 2021
IH-lectures USA & Canada Feb 2020 on Melnikov House
An Afternoon with the Glucks
Danish Moderns – Looking Back at Our Mini-Seminar
Venturo house complements Exhibition Centre WeeGee’s offering
Lecture report: Remembering Richard Neutra
Hôtel Mezzara and the Guimard Museum project
We welcome 13 new members!
BREAKING NEWS: 8 Wright Sites Inscribed on Unesco World Heritage List!
LECTURE 29 August - Raymond Neutra: My Father and Frank Lloyd Wright
SPECIAL – Iconic Artist Residencies
Our Badge of Honour
SPECIAL – Women & Iconic Houses
SPECIAL – Iconic Housing
Iconic Houses End Year Message
City-ordered rebuild of landmark house stirs debate: Appropriate or overreach?
Kohlberg House Restoration in Progress
Planned Demolition of Rietveld Homes in Reeuwijk
Renovation Gili House in Crisis
An Iconic Saga
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Modernism on the East Coast
Iconic Houses in Latin America
House Tours May 2018
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Wright Plus 2016 Walk
Speaking Volumes: Building the Iconic Houses Library
Documentary La Ricarda
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
At Home in the 20th Century
New 20th century Iconic Houses website launches
Exhibition 'Modernism and Refuge'
Georg Kolbe’s Sensburg as an Architectural Monument of the Nineteen Twenties
September 13, 2020 – January 10, 2021
|All images: Image archive Georg Kolbe Museum.|
The Georg Kolbe Museum is devoting its main exhibition of this fall season to the extraordinary architectural structure in which the exhibition venue has resided since its founding exactly 70 years ago: the former residence and studio of the sculptor Georg Kolbe. For the erstwhile builder-owner, who maintained close ties to the modern architecture of the nineteen twenties and its protagonists, the house was closely related to his own sculptural production. Based on never-before-seen archive material, the exhibition traces the interplay between space and sculpture that was of great importance for Kolbe throughout his career. It offers insights into the living environment of the artist who was actively involved in the conception of his iconic workplace and refuge on Sensburger Allee from the time of the earliest planning sketches.
In the late nineteen twenties, when his generously sized studio house was being constructed in the Westend district of Berlin, the sculptor Georg Kolbe (1877-1947) was at the height of his artistic success. Represented by the major art dealers Cassirer and Flechtheim, he had customers all over the world and was well-networked within Berlin’s artist circles. However, after his wife Benjamine unexpectedly died at the age of only 45, he desired a place to withdraw and work near her grave. This is the origin of his Sensburg, as Kolbe himself lovingly called his cubic brick ensemble, with reference to its location on Sensburger Allee. Situated close to downtown Berlin and yet on the outskirts of the Grunewald forest, the architecture would reflect the productive interaction between art, nature and structural form, to which the artist regularly referred.
Georg Kolbe maintained close ties to the New Objectivity architecture of his day. In conjunction with his collaboration with such architects as Ludwig Mies van der Rohe, Bruno Taut, Hans Poelzig and Walter Gropius, the sculptor participated from early in the discourse concerning the further development of modern architecture. To realize his own custom-designed home and studio, Kolbe commissioned the Swiss architect Ernst Rentsch and later the former Bauhaus student Paul Linder, working closely with both during the design phase. The joint planning visibly profited from the artist’s firm focus on the relationship between sculpture and space.
Well connected to public transportation, entirely electrified and with telephone as well as completely furnished baths, the brick building in Berlin’s Westend district corresponded to the notions of modern living, embodying its definition of a new unfussy type of comfort. As a studio, it fulfilled all the prerequisites needed to create the working conditions Kolbe sought as an artist. Especially the deployment of lighting and perspective throughout the house was meticulously planned, masterfully realizing the lucid connection between interior and exterior space.
With its ceiling-high windows, the large studio space opens to the adjacent garden; a complex skylight allows neutral daylight to flow into the room while high windowsills direct framed views into the green of the surrounding nature. Laid out in 1935, the inlying sculpture court features sight lines that allowed the sculptor to simulate the effect of his pieces in the public spaces and parks for which they were often intended. The entire property is surrounded by a brick wall, giving it an almost fortress-like feel that contrasts the light clarity of its atmosphere. As a secluded refuge, the Sensburg was not least designed to protect the artist from the glances of curious passers-by and benefitted his work with models outdoors.
Kolbe’s artist studio was opened to the public exactly seventy years ago—as the first museum to founded after WWII and the only Berlin artist house from the nineteen twenties in which the original function remains visible and tangible. Even today, the cubic brick building exudes the modernist spirit of the time of its construction.
‘Modernism and Refuge’ portrays Kolbe’s Sensburg in the mirror of its rich history. From the first construction drawings to the time of its private and then public use, the exhibition brings together many never-before-seen historical documents, which present the artist as creative building client and within his most private nucleus. Surrounded by family and friends as well as his dogs and cats, Kolbe becomes discernible as a man of various facets that have previously remained concealed behind his public role and attributions. A considerable portion of the exhibited material comes from the estate of the artist’s granddaughter, which arrived in Berlin this year and is currently being integrated into the museum’s holdings.
An extensive, profusely illustrated publication to the exhibition will be published in November 2020.
Parallel to the ‘Modernism and Refuge—Georg Kolbe’s Sensburg as an Architectural Monument of the Nineteen Twenties’, the museum is presenting 20 ceramic works by the Japanese artist Shinichi Sawada.
Important Visitor Information
Because of the current Corona virus situation, prior registration is required for all events. Please book by writing an e-mail to firstname.lastname@example.org. We ask for your understanding that the situation may make it necessary for us to cancel or change the dates of our events at short notice. Up-to-date event information can always be found on our homepage.
Please also note that, due to the precautionary measures in conjunction with the Corona virus, only a limited number of visitors are permitted inside the museum at same time. This may lead to a waiting period.
About the Museum
The Georg Kolbe Museum is a former artist studio in the Westend district of Berlin. Built by the sculptor Georg Kolbe in 1928, it is now one of the outstanding examples of modern architecture of the nineteen twenties. High ceilings open the cubic building constructed of fired bricks to the garden that is shielded from the street. With its population of tall pine trees and a mighty beech, the sculptor’s garden conserves a section of the Grunewald forest that the artist preserved in its pristine condition and which served him in turn as a source of inspiration and an energetic regeneration for his art. The museum now presents exhibitions on modern and contemporary art.
View the Georg Kolbe Museum on our map!
Georg Kolbe Museum · Sensburger Allee 25 · 14055 Berlin · Tel: +49 30/3042144 · www.georg-kolbe-museum.de · Email: email@example.com. Opening hours: 10am-6pm daily.
Public transportation: S3 or S9, Bahnhof Heerstraße
Posted 16 September 2020